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Wood ash, sand and clay ground together in water. The plainest glaze there is, and it fires to a soft milky white.
Obtaining
Usage
Setting it beside the body
Put it into the kiln with the platter body and Hagi ware comes out. Add the iron pigment beside it and you get Karatsu ware.
The base of the green glaze
The copper green glaze is this ash glaze milled again with copper in it.
As an ingredient
Related guides
Making it step by step
Each step shows one batch. Where recipes differ, the route with fewer processing steps is shown.
Process flowchart
Arrows connect each output to the matching ingredient in the next step. Scroll horizontally to explore wider diagrams.
- Short Grass / Tall Grass / Fern / Large Fern / Dead Bush / Vine / Bamboo / Chestnut Leaves / Curry Leaf Tree Leaves / Fig Leaves / Hinoki Cypress Leaves / Persimmon Leaves / Konara Oak Leaves / Kunugi Oak Leaves / Bay Laurel Tree Leaves / Lemon Leaves / Lychee Leaves / Mango Leaves / Japanese Red Pine Leaves / Mikan Leaves / Nashi Pear Leaves / Orange Leaves / Peach Leaves / European Pear Leaves / Pomegranate Leaves / Shikuwasa Leaves / Japanese Cedar Leaves / Tea Tree Leaves / Ume Leaves / Walnut Leaves / Yuzu Leaves / Straw / Sasa
In the real world
An ash glaze is plant ash ground in water with feldspar and clay. The lime and alkalis in the ash melt at kiln heat and cover the piece in a glassy skin.
Differences in game
Satoyama has no feldspar of its own and uses sand for the silica, and it does not distinguish which plants the ash came from.